The
Political Act: The Blurred Lines between Politics and Entertainment
Throughout
vast history of the American political system, politicians in this country have
invariably found their ways to interact with the American people. From early
travelling on a horse and coach from state to state to speak at rallies, to
videos directly transmitted through ones phone. Politics are a large part of
America as a whole and though they can be accessed at any point, may democracy
as a whole actually be hindered due to the constant progresses in the
development of new forms of mass communications? As communication technologies
change, politics in this country change with them, not only in the various ways
in which they work, but also the ways in which the political image as is
portrayed and sold as a norm.
Since the early beginnings of this
country, the politics have digressed in importance of actual informative
content and increased in importance of the image of the politician themselves.
This may be due to the ever increasing rate in which new technologies are
developed. With new technologies such as smartphones, tablets, and portable
computers, politics are constantly a topic on the mind of the American people
because people are so often exposed to advertisements of politicians. Since the
invention of the radio, starting with Herbert Hoover as the first broadcast
president, Politicians have had to become more intimate with the people of this
country because of the mass quantities of people who owned a radio. Since the
first televised political debate in 1960 between the not yet President Kennedy,
and his Republican opponent Richard Nixon. In the Article “Winners of the first
1960 televised presidential debate between Kennedy and Nixon” by Sidney Kraus,
an apparent point made is that between people who listened to the debate on the
radio and people who watched it on the T.V, people who watched it on the radio
thought that Nixon won the debate based off of what was said, though people who
watched it thought that Kennedy won based of off his composer and his tan while
Nixon seemed to be nervously sweating (Kraus, 1996). Since the first televised
debates it had become apparent that people voted for who fit the political
image of what they wanted their president to look like opposed to what a
president’s political configuration consisted of. After Kennedy was
assassinated, the presidency had become much more popular in the eyes of the
public. After it was broadcasted frequently over the news while the voice of
Walter Cronkite guided the American people back a mental homeostasis, people
started opening their eyes to politics as a cultural phenomenon. There was even
an Oscar winning film about the conspiracies of the assassination in 1991 with
Oliver Stone’s JFK starring Kevin Costner.
With
the progression in technological advancements, and the politics of today
constantly investigated microscopically, the preferment of political rhetoric
has thickened too, though the content evasive of its true meanings. Political
rhetoric as a whole has changed in importance what is being said, to how what
is being said sounds. This directly correlates to the increase in availability
for mass quantities of people to access political information at any time.
Articles examining political discourse have explained “the semantics of political
discourse is akin to poetic semantics; however, the multidimensionality of the
signified referents is hidden because referential discourse is a precondition
for effectiveness” (Zolyan, 2015). Because politics work harder to appeal to
the people through their content, politics have naturally become infused with
entertainment. With the new era of inseparability between politics and
entertainment, the American people are losing interest, causing democracy to
fail.
Within
the contemporary political sphere full television stations hold complete
political biases. The Fox news corporation and CNN would be examples of right
winged Conservatives, while networks like CBS and ABC would be considered Left
wing liberal. With podcasts from a Conservative Bill O’Reilly to the very left
wing Howard Stern, politics have become a soup opera in this country, while the
viewers invest their in politics emotionally the same way fans do. It has been
said “Emotions have historically been theorized as dangerous by those invested
in rationalized print discourses, but anyone who has observed one of the
American political party conventions, for example, knows that there is not much
difference between that type of political theater and a purely pop culture phenomenon
like a movie premier or rock concert” (Warner, 2006). America’s technological
culture may be single handedly effecting it’s democracy as a whole by
complicating it’s rhetoric and attempting to appeal to the people on an
emotional level instead of making the people aware of the truths of the
political system.
Bibliography
Kraus, Sidney. "Winners of the first 1960
televised presidential debate between Kennedy and Nixon." Journal of
Communication 46.4 (1996): 78-96.
WARNER, JAMIE. "Politics And Entertainment: Civic
Catastrophe Or Democratic Possibility?." New Political Science 28.3
(2006): 431-436. Academic Search Premier. Web. 25 Sept. 2015.
Zolyan, Suren. "Language And Political Reality:
George Orwell Reconsidered." Sign Systems Studies 43.1 (2015): 131-149.
Academic Search Premier. Web. 25 Sept. 2015.
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